My mother wear brightly coloured clothes when she runs, whereas herusual attire at work is in grey tones. in addition, the environment she isexposed to when exercising outdoors has many colours, whereas the en-vironment in an office building is depressing and monotonous.l foundcolour is a key factor in human healing.

Touch plays a crucial role in our emotional experience.l felt a senseof warmth and relaxation through the touch of the furry little animals.which inspired me to explore the tactile feedback of human skin. Ourskin is the largest organ responsible for evoking the most direct andintimate experience with the outside world. In the textile design, lwanted to capture this tactile harmony, using different yarns to createfabrics that were comforting. Through soft, layered materials, the ex-perience feels as if surrounded by warmth, reconnecting the body andthe emotion. Through my experiential sculpture, l want to explore thedeep connection between emotion and touch. Each piece of fabricwill become a medium for the senses, allowing people to find innerpeace and harmony in touch and feeling.

Emotions are the most authentic emotional experiences of the humanheart and the ways in which we respond to the outside world. Howev-er, emotions can sometimes get out of hand and become intense andunmanageable.In the design, l use fabric pulling and color collision ascore expressions. The pulling of the fabric symbolizes the conflict andstruggle of emotions. The expression of tension not only visually pres-ents the sense of loss of control over emotions but also expresses theconfrontation between inner repression and external reaction.