The value of a cemetery is not because the dead need a space to store their bones, but be.cause the living need a place to commemorate their dead and seek spiritual comfort. Thedead are still present in the influence and memory ofthe living, and this influence will continueto spread among us like the waves of the sea.This project mainly aims to use the natural terrain and architecture ofthe site to form ech.oes, and combine with the sea burial to create a place that can not only be a bridge betweenthe living and thedead, but also allow people to realize and accept their powerlessness in theface of the dead as in the face of the sea.

This project is situated on the former site of a time-honored glass factory, bearing the cultural memory of industriaheritage. Through the introduction of diverse ecological environments, the original building was transformed into a living ex hibition space, creating a venue that integrates science popularization, display, and the enhancement ofpublic ecological awareness. This renovation is not only the reuse of industrial ruins but also a reconfiguration of the relationship betweenhum anity and n ature. Through the display of plant ecology and interactive experiences, viewers can profoundly per ceive the urgency and aesthetic value of ecological environmental protection at the intersection of history and nature.

Left-behind children confront educational and psychological development challenges due to the scarcity of learningspaces. To address this issue,this project leverages local bamboo materials and traditional bamboo weaving craftsmanship to establish a sustainable 24-hour learning center, servingas a secure haven for children's growth.The project adoptsa mixed-age learning model, offering diverse learning and growth opportunities forchildren aged 10 to 16, and encouragingchildren of different ages to support one another, unlock their potential, and enhance their team work capabilities ，Furthermore, the architecture focuses on sustainability and cultural inheritance, using natural lighting, ventilation, andbamboo materials as mediums to construct a growth space that combines functionality and aesthetics, assisting chil.dren in feeling respected and inspired to pursue their dreams courageously.

The project aims to provide audiences with a comprehensive space to experience crosstalk in Tianjin. The build.ing not only showcases the material civilization of Tianjin crosstalk, but also presents its unique performance culture to promote the inheritance and development of this traditional art form. This modernist style building,throughthe combination of metal and glass, as well as rich symbolic anomalous ceiling design, creates a unique Tianjincrosstalk performance space. The shaped decoration design in the building is inspired by the fans in crosstalkwhich is not only a tribute to the traditional crosstalk props, but also a symbol of crosstalk culture. The designof the shaped ceiling increa ses the dynamic sense and layering of the space, making the audience feel the collisionof tradition and modernity visually.

This project deals with the “free plan" or the modulation of space in the vertical as well as in the horizontal direction. Partial floors of varying size become large spatial planes in space that make possible thevertical continuity of space in contrast to conventional separation into stories. The success of a schemedepends upon how well all of the elements work towards an integrated whole while meeting the re.quirements of a program.Works of art as well as furnishings are brought into play as integral parts of the whole. The buildingwill be situated in a typical lightly wooded, slightly sloped, mid-western site of deciduous trees. The treeswill give shade to the building in the hot summer months and by shedding its dense foliage provide muchwelcome solar warmth in the cold winter months. The woods would also provide a wonderful backdrop, inwinter or summer, for all intemal elements as well as for the building itself.