布鲁斯·瑙曼：OK OK OK
2022年3月11日—2022年6月12日
木木美术馆(钱粮胡同馆)
票务信息
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全价票：¥150
早鸟票：¥80
限量销售
2022年3月11日—6月12日，木木美术馆将与伦敦泰特现代美术馆和阿姆斯特丹市立博物馆合作，呈现艺术家布鲁斯·瑙曼在国内的首次大规模个展。不同于其以往的研究型展览，本次展览回溯艺术家逾50年艺术实践的同时，将着重探讨和梳理他的行为艺术、霓虹灯 "标志" 以及基于声音和移动影像的艺术创作。
布鲁斯·瑙曼
《人类本性/知道不知道》1983/1986
图片由Sperone Westwater画廊(纽约)惠允© 2022 Bruce Nauman / Artists Rights Society (ARS)
本次展览将特别呈现瑙曼的泰特涡轮大厅委任项目《原材料》(2004)。作为对艺术家此前四十多年艺术生涯的声音性回顾，这件作品汇集了22条作品的声音片段。此外，展览还将通过《绘制工作室II色彩变化与图像跳跃版(约翰·凯奇没戏)》(2001)、《以夸张的姿势围绕一个正方形的边缘行走》(1967-8)等作品，深入探究他对艺术家工作室等其他主题的关注和兴趣。
布鲁斯·瑙曼
《真正的艺术家通过揭示神秘的真理来帮助世界[窗户或墙面标志]》1967
图片由Sperone Westwater画廊(纽约)惠允© 2022 Bruce Nauman / Artists Rights Society (ARS)
该展览在木木美术馆的呈现由木木美术馆艺术总监及首席策展人王宗孚策划，在泰特现代美术馆的呈现由泰特现代美术馆国际艺术(影像)前高级策展人安德烈·利索尼(Andrea Lissoni)、泰特美术馆前馆长尼古拉斯·塞罗塔(Nicholas Serota)和泰特现代美术馆国际艺术部助理策展人凯蒂·万(Katy Wan)策划。
布鲁斯·瑙曼
《在即时和录制监控下走过角落》1970
图片由Sperone Westwater画廊(纽约)惠允© 2022 Bruce Nauman / Artists Rights Society (ARS)
木木美术馆艺术总监王宗孚寄语：
“通常情况下，在策划展览时，“舒适”可能是2022年美术馆行业中的一个关键词。然而，这种方式并不总是能反映出多层面的，那些时常与幽默、困惑和魅惑等极端情感相结合的人类体验。
我非常荣幸地宣布木木美术馆(钱粮胡同馆)将迎来2022年的开年首展——“布鲁斯·瑙曼：OK OK OK”。这是艺术家布鲁斯·瑙曼在中国的第一个美术馆个展。布鲁斯·瑙曼是艺术发展史上至关重要的人物，他不仅创造了新的艺术门类，而且以其充满精神品质的创作实践，启发了数代中国和国际上的艺术家。从他早期的行为表演作品到他的走廊装置，瑙曼提醒着我们，心灵和身体是通过情感紧密交织在一起的，同时，被唤起的瞬间失控感也是人类的一个重要体验。我们很高兴能与泰特美术馆以及阿姆斯特丹市立博物馆等合作机构一起，将瑙曼五十年来的先锋性实践带到北京。”
布鲁斯·瑙曼
《带有房间的光线变化的走廊》1971
图片由Sperone Westwater画廊(纽约)惠允© 2022 Bruce Nauman / Artists Rights Society (ARS)
泰特现代美术馆馆长弗朗西斯·莫里斯寄语：
“布鲁斯·瑙曼极具实验性的艺术实践总是出乎我们的意料。在艺术家逾五十年的艺术生涯中，他的作品得以呈现在不同的语境和多元的观众群体面前，并持续至今。瑙曼早已被公认为当今时代最具创新精神和影响力的艺术家之一，从1960年代晚期他在工作室进行的早期表演和实验，到20世纪末、21世纪初对图像捕捉技术的运用。
此次在木木美术馆举办的展览将有幸成为瑙曼在世界这一地区的首次美术馆个展。我非常高兴泰特能够促成他的作品在该地的首次展出，其中包括了来自英国国家收藏以及众多其他美术馆和私人藏家的藏品。我非常期待世界其他地区的新的观众能够欣赏到这些迷人的作品。”
布鲁斯·瑙曼
《墙-地板姿势》1968
图片由Sperone Westwater画廊(纽约)惠允© 2022 Bruce Nauman / Artists Rights Society (ARS)
关于艺术家
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布鲁斯·瑙曼1941年出生于美国印第安纳州，自1979年至今生活和工作于美国新墨西哥州。他本科就读于威斯康星大学，主修数学、物理和艺术课程，并于1966年获得加州大学戴维斯分校艺术硕士学位。1972年，瑙曼在洛杉矶郡立艺术博物馆和纽约惠特尼美术馆举办了其艺术生涯中的第一个回顾展。1994年，明尼阿波利斯沃克艺术中心和华盛顿哥伦比亚特区赫施霍恩博物馆与雕塑园共同策划了艺术家的大型回顾展，并伴随展览出版了艺术家作品总录。瑙曼曾在国际权威机构举办过众多重要的展览，其中包括：伦敦泰特现代美术馆、纽约现代艺术博物馆、柏林汉堡车站美术馆、柏林德意志古根海姆美术馆、伦敦海沃德美术馆、巴黎蓬皮杜中心、伦敦白教堂美术馆和巴塞尔美术馆。他参加过五届卡塞尔文献展，他的作品曾至少六次在威尼斯双年展展出，并两次被授予金狮奖。
木木商店设计全新展览衍生品
敬请期待
BRUCE NAUMAN: OK OK OK
11 March 2022 – 12 June 2022
M WOODS Hutong
In collaboration with Tate Modern, London and the Stedelijk Museum, Amsterdam, M WOODS Museum presents the first and most comprehensive overview of the work of American artist Bruce Nauman in China. This exhibition spans a period of more than fifty years and departs from previous surveys through its experiential approach to display and its highlighting of Nauman’s interest in performance art, neon ‘signs’, and sound- and moving image-based artworks.
This exhibition will also include a special display of Nauman’s Tate Turbine Hall commission Raw Materials (2004), which functions as an aural retrospective that brings together 22 sound excerpts taken from works spanning a 40 year period.
The exhibition also includes key works from museum collections internationally that explore his preoccupation with themes such as the artist’s studio: MAPPING THE STUDIO II with color shift, flip, flop & flip/flop (Fat Chance John Cage) (2001), and Walking in an Exaggerated Manner Around the Perimeter of a Square (1967–8).
This exhibition is organised by Tate Modern, London and Stedelijk Museum Amsterdam in collaboration with M WOODS, Beijing and Pirelli HangarBicocca, Milan.
The exhibition is curated at M WOODS by Victor Wang, Artistic Director and Chief Curator, and at Tate Modern by Andrea Lissoni, former Senior Curator, International Art (Film), Tate Modern; Nicholas Serota, former Director, Tate, and Katy Wan, Assistant Curator, International Art, Tate Modern.
Message from Victor Wang, Artistic Director, M WOODS:
'Today, museums and galleries are frequently tempted to adopt a ‘comfortable’ approach to their exhibition programming. However, this strategy often produces shows that fail to fully reflect the wide spectrum of human experience, with its sometimes uncomfortable extremes of humour, confusion, and desire.
For M WOODS Hutong’s opening show of 2022, we are delighted to present China’s first solo museum exhibition of the work of the American artist Bruce Nauman, whose ground-breaking approach and psychologically charged practice have not only created new modes of artistic expression, but also inspired several generations of artists, Chinese and international. From his early performance pieces to his corridor installation works, Nauman’s work is neither safe nor comfortable: it reminds us not only that mind and body are intrinsically intertwined through our emotions, but also that a momentary loss of control is an important human sensation.
We are thrilled to be working alongside our institutional partners, Tate Modern, London, and the Stedelijk Museum, Amsterdam, to bring experiential work from fifty years of Nauman’s career to Beijing. '
Message from Frances Morris,
Director, Tate Modern:
‘Bruce Nauman’s highly experimental artistic practice never fails to surprise. It has resonated in different contexts and with different audiences across a career spanning more than 50 years, and it continues to do so today. Nauman has long been recognised as one of the most innovative and influential artists of our times, from his earliest studio performances and experiments with neon signage in the late 1960s, through to his embrace of video and other image-capture technologies of the late 20th and early 21st centuries.The presentation at M WOODS has the unique accolade of being Nauman’s first ever monographic museum exhibition in the region. I am thrilled that Tate is playing a part in bringing his art to this part of the world for the first time, including several loans from the UK’s national collection, alongside those from many other museums and private lenders. I look forward to seeing these enthralling works reach new audiences across the globe.’
About the Artist▼
Bruce Nauman was born in Fort Wayne, Indiana, in 1941, and has lived and worked in New Mexico since 1979. After undergraduate studies in mathematics, physics and art at the University of Wisconsin-Madison, he graduated with a Master of Fine Arts from the University of California, Davis, in 1966. In 1972, at the age of thirty-one, Nauman had his first retrospective exhibition at the Los Angeles County Museum of Art and the Whitney Museum of American Art, New York. In 1994 a large retrospective of his work and accompanied by the publication of a catalogue raisonné, was organised by the Walker Art Center, Minneapolis, and the Hirshhorn Museum and Sculpture Garden, Washington, DC. Over the course of his artistic career, Nauman has held major museum shows in prestigious institutions internationally including Tate Modern, the Museum of Modern Art New York, Hamburger Bahnhof, Deutsche Guggenheim Berlin, Hayward Gallery, Centre Pompidou, Whitechapel Gallery and Kunstmuseum Basel. He has participated in five editions of the major quinquennial exhibition Documenta (1968, 1972, 1977, 1982 and 1992) and has presented work in the main exhibition of the Venice Biennale at least six times, at which he was awarded the Golden Lion twice.
